I love it when a killer bike comes through from a builder I’ve never heard of. This stunning 1969 Triumph TR6 custom is the work of Raccia Motorcycles, a low-key outfit based in a century-old bottling factory just north of Los Angeles. The lines and stance are simply perfect, and if you’ve ever tried to build a custom bike, you’ll know how difficult that can be. The builder of this machine is Mike LaFountain, and his philosophy is simple: “I’m always trying to change proportions and form new lines to create a unique look, which stems from my love of vintage GP race bikes.”
Read more: http://www.bikeexif.com/triumph-tr6-trophy#ixzz1nUsahMSM
Ugly Motorbikes is a San Diego based custom motorcycle garage with a penchant for building exceedingly clean, light, classic café racers. This Honda CB650 is their latest creation, it’s been rebuilt from scratch into one of the more true to form cafe bikes we’ve seen in recent times and personally, I like it. With leather wrapped grips and pegs, a mechanically sorted engine and an eye catching matte green paint job.
It’s getting harder and harder to impress with a CB750 custom. But this machine, stripped back to bare finishes and muted colors, works a treat. ‘The Natural’ is a collaboration between two Portland, Oregon builders with complementary skills: Crowe Customs and The Tarantulas. “Scott of The Tarantulas wanted a clean and simple bike, with a vintage feel and raw finishes,” says James Crowe. “Scott’s built several bikes himself, so he was able to handle the mechanical aspects.”
Via BikeEXIF
This beautiful machine, photographed by Benoit Guerry in France, has just been profiled on the (highly recommended) Southsiders site. It’s a Triton-style hybrid, built in the 1970s from recovered parts and spares—including a Lowboy frame, shortened Norton Roadholder forks, a Seeley front brake, and a Triumph five-speed transmission. The engine is a rare 1957 pre-unit T100/RS with a splayed-port Delta head.
Read more: http://www.bikeexif.com/vintage-norton#ixzz1lfQyeMsw
This 1976 Honda CB750 is owned by Jon Brindley, a champion of the Washington DC music scene. Jon also happens to be a friend of MotoHangar owner Pat Jones, which explains why the bike looks so good. It’s an interesting mix of sharp graphics and authentic patina, and it didn’t happen by accident. “Jon was quite adamant about having the bike show its age,” says Pat. “We went back and forth on this one, discussing ideas.” The modifications that the pair eventually agreed on include a Kawasaki KZ tail, jet black paint, ceramic header wrap, a SuperTrapp exhaust and cone-style air filters.
via BikeExif
Though it has been a weak winter, It will be nice to put this back on the road.
By David Edwards — All you need to know about Nick Roskelley’s budget-built café-racer can be found hanging below the right side of the fuel tank. That’s where you’ll see a shiny aluminum bicycle tire pump. Like most of the components on this bike, it was not store-bought. In fact, “It was bent like a banana and thrown in a dumpster,” says the 54-year-old retired commercial diver. But the price was right—so home it went to Paignton, a small seaside town on England’s south coast. After numerous meetings with a rubber hammer and the polishing wheel, it now looks good as new.
Read more: http://www.bikeexif.com/cafe-racer-harley#ixzz1jfsjkmpY
Yamaha RD350 by Analog
This bike started as a 1973 RD350 that was halfway towards a café racer conversion when the current owner bought it. After the bike sat around for years untouched, the owner commissioned Analog Motorcycles to finish the job
1970 Triumph TR25W
Kawasaki KZ750
“About a year ago, I finished reading the final installment of Stieg Larsson’s “Millennium trilogy”. I found these Swedish crime novels absolutely gripping—and not just because the heroine Lisbeth Salander rides a motorcycle. In two weeks, the US movie adaptation of The Girl With The Dragon Tattoo will be released—so here’s a timely look at how the motorcycles used in the film were prepared. The job was given to Justin Kell of Glory Motor Works in LA, and it’s an insight into a rarely-seen aspect of the film-making process. “